<Untitled Chapter 1>

VOICE STUFF

A QUICK OVERVIEW

MANIPULATING R1

EXAMPLE 3: ADDING TONGUE ELEVATION

IN CONCLUSION

Hi everyone! In this video I demonstrate what you should expect to see when looking in the mouth during voice feminization. Hopefully this will help many individuals out there who are visual and kinesthetic learners rather than aural and verbal which most feminization content is geared towards.

I am demonstrating the primary mechanics which elevate and raise your first resonance (R1). R1 is crucial to determining and expressing the sex of a voice. The male throat is significantly larger meaning it produces a lower R1. The female throat is smaller which produces a higher R1. In these techniques, the goal is to reduce the space in the throat and rear oral chamber.

Key things to look for: 1) oropharyngeal closure, where the sides of the throat close inwards. 2) tongue alteration, where the root retracts, the middle-rear elevates, and the jaw slightly closes.

Warning: this video is slightly weird and shows up close video of the inside of my mouth. Please don't be a creep. This was created for the sole purpose of educating and empowering individuals wishing to alter their voice. Any rude comments will be met with a permanent shadow ban from my channel. Specifically because this is a very personal and awkward thing for me to share.

pardon my use of clickbait... i did deliver though lmao
warmly,
z

https://www.patreon.com/transvoicelessons
https://www.transvoicelessons.com/
https://zheaerosemusic.bandcamp.com/
https://www.youtube.com/c/zheannaerose
transvoicelessons@gmail.com

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LOOK INSIDE MY MOUTH: Oropharyngeal Closure and Tongue Repositioning to Feminize Voice

Intro

Frequency

Time

Amplitude

Color Layout

Harmonics

Drum Samples

Human Voices

Demo

Outro

Hi everyone! In this video, I want to talk about one of the most important tools for analyzing, measuring, and interpreting sound: The Spectrogram. 

The spectrogram displays sound in 3 dimensions: frequency, time, and amplitude. The spectrogram makes it very clear what the differences are between sounds. Plus, it's beautiful and fun!

A spectrogram can allow you to get more objective feedback about the acoustic behavior of your voice. To utilize the tool for voice feminization, try to maintain a single static pitch but shift while shifting resonance. You should be able to see the harmonic's amplitude change while the fundamental pitch remains the same. In this way, you are directly observing resonance by controlling for the variable of pitch.

Freeware spectrogram: http://friture.org/

I hope you all enjoy this video! More epic voice content coming soon.

warmly,
Amelia Zheanna H.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! 
https://www.patreon.com/transvoicelessons
E-mail me for lessons: TransVoiceLessons@gmail.com
transvoicelessons@gmail.com
transvoicelessons.com

all music used is my own

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HOW TO USE A SPECTROGRAM | Voice Feminization

Using falsetto as a foundation

Incorrect understanding of resonance

Hyperfocus on pitch

Release the resonance

Breathy or closed

Overthinking

Not Listening

harshly judging oneself

Hi everyone! In this video I'd like to discuss the 8 most common transvoice mistakes I see across the internet and in my own private practice. If you are making any of these mistakes, hopefully this video can help set you on the right path.

1. Speaking in falsetto. Simply put, this is the wrong behavior of the vocal folds and it generates an incorrect source tone to feminize. Don't do this!

2. Misunderstanding resonance. Many people get stuck in time sinks which involve a mythical understanding of resonance. Resonance is an objective and empirical fact of our universe and it's simple to manipulate.

3. Hyperfocusing on the pitch ceiling. The ceiling is the highest comfortable speaking pitch that occurs during speech. Many students seem to tunnel vision on how high they can go. It's more important to focus on how low you -dont- go.

4. Releasing resonance after it's been dialed in. Often when doing mechanical exercises that require a student to "dial" their resonance in then speak, students will release the resonance when starting the speech and be confused about why the voice isn't changing. Pay attention to if you release any muscular holds when you go to speak!

5. Too breathy or too closed. People often crutch on breathiness. People often strain when doing new exercises which squeezes the folds hard. Both are sounds we don't want.

6. Overthinking/Hypermanaging muscles. Your muscles don't work based on direct control. They work based on thinking about the function you want to perform then executing a command to fulfill the function. If you try and directly manipulate the muscles of your tongue when first beginning, you will most likely move the wrong parts of the tongue. Defer to sound to learn the correct muscles, then practice those.

7. Not listening. Y'all know how I feel about this. Open those ears!

8. Harsh and destructive self criticism. Feedback is important and evaluating your sound is a key component to doing anything with voice. We must make our self criticisms constructive and conducive to growth, not destructive or rooted in self hate/anxiety.

I hope this is helpful for many of you out there! There are certainly more common mistakes and more specialized issues people struggle with but I hope this can solve some problems. Feel free to ask any questions in the comments below.

warmly,
Amelia Zheanna H.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons
E-mail me for lessons: TransVoiceLessons@gmail.com
transvoicelessons@gmail.com
transvoicelessons.com

all music used is my own

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8 BIGGEST TRANSVOICE MISTAKES!

The Human Brain

The Envelope

Feminization

https://www.patreon.com/transvoicelessons
Hi everyone! Here is another installment of Trans Voice Technology! In this video we will discuss a solution for the cough. While there are many paths and strategies to feminize a cough, here is perhaps the simplest. 

The human ear has a tendency to hear the "attack" of a sound as more important than the other parts of the "envelope". By manipulating the attack of our coughs, we can reprogram the way people hear our cough. Regardless of how masculine the actual coughing sound, if it is started by a feminine attack, the cough will be heard feminine.

Executing this is quite simple. First, start with a high pitched and bright "ehh" sound. Work on creating the sound easily and consistently. Make the sound, then gently cough after it. After being able to perform the two in sequence, work on reducing the space between them until it is heard as one individual sound. If done properly, the feminine attack will "wash out" the masculine cough. 

I hope this short little tip helps everyone! I'll be releasing another major video soon! :D

warmly,
Amelia Zheanna H.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons
E-mail me for lessons: TransVoiceLessons@gmail.com
transvoicelessons@gmail.com
transvoicelessons.com

all music used is my own

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TransVoiceTech: Cute Coughs!

Larynx Basics

Examples

Resonance

Variations

Common Issues

The Key

Conclusion

this video is better/newer on this topic area: https://youtu.be/BW8X2nXexQs

VIDEO OUTLINE: https://docs.google.com/document/d/1arlWGCsDLg57tzm60N2N8_blSEYWm_hfxgDLh7GGH_U/edit?usp=sharing

-Basic Info
The larynx, pronounced, Lair-Enks, is the muscular, mucosal chamber which your vocal folds reside in. The position of the larynx can be altered through various muscle groups. When the larynx is raised, the vocal folds are positioned closer to the lips, which shortens the overall vocal tract length and shifts the resonances higher (creates a brighter sound). When the larynx lowers, the vocal tract extends, shifting the resonances lower (darker sound). It’s essential to use a higher larynx position when seeking to pass with a female voice.

-General Ideology
There are several ways to approach learning to alter the larynx height. Most of the best solutions all use a variation of Noise + Filter in order to hear the resonance more clearly, then trying to speak or sing using the filter setting. In the video and link there is simple infographics and audio examples to help walk you through it. The goal, at first, should be to gain control of this variable then integrate it into the process of speech once it’s properly heard, controlled, and executed.

-Common Issues:
1. Flipping into falsetto immediately
2. Altering towards a more forward tongue position instead of raising the larynx. 
3. Raising too high and getting a choked or “fluttery” sound
4. Tensing the neck muscles instead of allowing the correct muscles to perform the motion
5. Squeezing the vocal folds too hard
6. Not listening


I hope this is helpful for many of you out there! I’ve seen so much confusion and struggle relating to the larynx so I hope this can illuminate some confusion. There is a lot more to know, explore, and fully digest but I wanted to keep this first video simple, clear, and easy to follow. Feel free to ask any questions in the comments below. Part 2 will contain advanced info, more ear training, and spectral data!

warmly,
Amelia Zheanna H.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons
E-mail me for lessons: TransVoiceLessons@gmail.com
transvoicelessons@gmail.com
transvoicelessons.com

all music used is my own

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The Art of Voice Feminization | Part 2A: Larynx Basics, How to Raise the Larynx, and Common Issues

What's my guilty pleasure?

What are my hobbies outside of sound?

What's my favorite hot sauce?

Is it difficult or painful to use your voice every day?

Do you have any overarching personal goal with your voice videos?

Have you ever trolled someone with your manvoice or used it as a party trick?

How can I study music with you?

How did people react to you the first time they saw you fully transitioned since pre-HRT?

Are you more introverted or extroverted? How has that influenced your life? What's your Meyers Briggs Type?

Hi there! I took questions from my Patreon supporters and answered them! There are more parts to this video coming soon. If you'd like to have your questioned answered in this format, check out my Patreon at https://www.patreon.com/transvoicelessons

This was so fun and I'm looking forward to doing more of these videos!

QUESTIONS:

0:15 What's my guilty pleasure?

0:56 What are my hobbies outside of sound?

1:50 What's my favorite hot sauce?

2:25 Is it difficult or painful to use your voice every day?

2:36 Do you have any overarching personal goal with your voice videos?

4:57 Have you ever trolled someone with your manvoice or used it as a party trick?

6:20 How can I study music with you?

6:55 How did people react to you the first time they saw you fully transitioned since pre-HRT?

7:50 Are you more introverted or extroverted? How has that influenced your life? What's your Meyers Briggs Type?

warmly,
z

https://www.patreon.com/transvoicelessons
transvoicelessons.com
transvoicelessons@gmail.com

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Q&A Part 1: Guilty pleasures, other hobbies, my goals, and more!

Mantra Phrases

Uses

Hello my lovely students and supporters! There are a lot of small things I really love talking about but I don't see how they will fit into a big video. So I'm making this series to allow myself to have a place to make short videos that can teach some of my transvoice "technology" while I work on bigger videos.

Today's topic is the Mantra Phrase. I first starting using a technique like this three years ago when I began changing my voice. Using a small, familiar phrase can open up amazing doors for your vocal development.

Here are a few of the uses covered:
1. Serves as a consistent ruler to measure your progress against.
2. Utilizes a limited amount of sounds to allow focusing on details
3. Anchors the voice as muscle memory to a phrase
4. Can operate as a safety net if worried about the voice not coming out correctly.
5. Doesn't overwhelm since it's a short bite sized phrase.

I think everyone practicing voice should have a mantra phrase! There are even more benefits than I have listed. When selecting a phrase, try to choose something that is 4-8 words long. These phonemes are most important to include: /h/, /r/, /i/, /s/, /f/. Try to pick a phrase that feels REALLY comfortable when you say it. Some students report certain words and phrases being easier to feminize than others. Find the words you synergize with most and integrate them into your practice model.

warmly,
A. Z.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons

E-mail me for lessons, inquiries, questions, or collaborations: 
TransVoiceLessons@gmail.com
transvoicelessons.com

THANKS TO MY PATRONS (will be at the end of the video next time):
Alex
Alexandra
Alexis
Alyssa
Amy
Angela
Ariel
Ashley
Astrid
Bee
Catherine
Chloe
Met
Christine
Clara
Dee
Miss Bolton
Elise
Ellie
Emily 
Evalyn
Evie
Haley
Henna
Hestia
Hypnomaster
Jaqui-Lynn
Kasey
Katherine
Kaylee
Keira 
Kelsey
Laurie
Liam
Lynne
Maggie
Marie
Milly
Nora
pastel_storm
Rachel
Raekin
Miss Fisk
Rebecca
Ms. Saravia 
Rie
Miss Fabregas
Romina
Sabine
Shy
Sophie 
Tessa
Ms. Walsh
Tara
Teftuft
VC

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TransVoiceTech: The Mantra Phrase

Introduction

Ear Training and Demonstrations of Voice Modulation

Summary

Hello my lovely students and supporters! This video is intended to be an EAR TRAINING demonstration. There is a tremendous amount of voice modification on display here. Try to listen critically and hear the difference between resonance and pitch.

Hopefully finally clear up the idea that resonance and pitch are dependent on each other. I see the misconception that they are connected all over the internet. While untrained voices will accidentally connect them, this is due to a lack of control.

0:00 - 0:49 Introduction
0:49 - 6:13 Ear Training and Demonstrations of Voice Modulation
6:19 Summary

The reason its easier to produce higher pitches with brighter resonance is due to the nature of Constructive and Deconstructive interference. Essentially the acoustic feedback to the vocal folds during bright resonance makes it more efficient to produce higher notes. Vice versa for low pitches/larger tubes. When you go to make voice, you ignite a cascade of acoustic feedback. AC waves travel in both directions, so your vocal fold ‘feels’ the vocal tract length, and experiences greater resistance at certain pitches which are disharmonic to the fundamental frequency.

If you really want to master your voice, it's crucial that you learn to control these parameters somewhat independently. One of the easiest ways to begin separating the elements is by taking a pitch tracker. Try to maintain a single note while changing your sound. Voilà! You are now in the beginning stages of learning to manipulate resonance while keeping a single pitch.

warmly,
z

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons

E-mail me for lessons, inquiries, questions, or collaborations: 
TransVoiceLessons@gmail.com
transvoicelessons.com

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TransVoiceTech: Ear Training for X-Y Resonance vs Pitch [demonstration of ALL vocal sexes]

Purpose of Patreon

Discord Server

Patreon Only

https://www.patreon.com/transvoicelessons

Hi loves! Today, I want to ask for your help in working with me as a community to further create and publish the absolute best possible public resources to empower, free, and lift up the trans and GNC communities. Nobody should feel helpless to change their voice. By supporting me, you will actively be supporting the creation of my content to give everyone the resources to alter their voice!

**error in video**, the conversation will be 20 minutes not 30.

https://www.patreon.com/transvoicelessons

warmly,
zheanna

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PATREON ANNOUNCEMENT!

Retroflex Position

spectrograph comparison

final results

outro

Hello my lovely students and supporters! Today's video kicks off a new series: TransVoiceTech. There are a lot of small things I really love talking about but I don't see how they will fit into a big video. So I'm making this series to allow myself to have a place to make short videos that can teach some of my transvoice "technology" while I work on bigger videos.

Today's topic is CLEARING THE THROAT. I first starting being aware of this when I started passing and using the woman's restroom. I was always nervous as hell to clear my throat since it sounded like Sasquatch.

Luckily it's very simple!

1. Press the tongue behind the alveolar ridge (retroflex spot).
2. Lift the rest of the tongue up forcefully towards the back of your mouth/velum.
3. Clear your throat at a higher pitch.

A throat clear can be considered a nasal consonant sound with a lot of extra glottal activity. This sound typically sounds boomy as most individuals relax the tongue during this motion creating an excessive amount of oral cavity space in which the air travels to, bounces around in, then ultimately travels up the nose which increases the vocal tract length. With this short tip you can reduce space and keep your throat clears cute... (as cute as throat clearing can be).

warmly,
A. Z.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons

E-mail me for lessons, inquiries, questions, or collaborations: 
TransVoiceLessons@gmail.com
transvoicelessons.com

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TransVoiceTech: How to Feminize a Throat Clear

I love you all so much. Thank you for literally everything. You have all profoundly changed my life and I spend every day infinitely thankful for the incredible support I receive on my platforms.

I normally don't do "vlog-y" type content but I was inspired by Lord John Maclean! Haha.

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New Years Message to My Students & Supporters!

My Actual Vocal Folds

The Sound of the Harmonic Series

Seeing the Harmonic Series in Voice

Source-Filter Model 3. The Filter

The Filter The Vocal Tract

The Source Sound

Finding Resonance with Length

Space Defines & Alters Resonance

Examples of Space = Resonance

The Art of Transvoice

This video is the first part of a multi-part video series covering the art of voice feminization. This video is a comprehensive look at the real science behind vocal resonance and the mechanics of sound which form the sex presentation of your voice.

This video covers:
1) The Source-Filter Acoustic Model of Speech Production
2) The Harmonic Series
3) Acoustic Resonance and the Math Behind our Vocal Tracts
4) A conceptual framework to understand voice feminization through
5) Examples of resonance, voice synthesis, and anatomical video of the human voice in action

This is the biggest video project I've ever done involving voice. It took me roughly 2 months of planning, editing, and creating in order to finish this. I truly hope everyone that watches this understands more about their own voice and the mechanics of feminization. The next video I will be releasing in this series will specifically cover techniques to feminize the voice. I had tried a few times to capture what's contained in this video with my older videos but I felt the "off the cuff" nature of them did an injustice towards the beauty of acoustics. This video serves as the foundation for all the rest of my videos I make, allowing me to reference it in the future.

I really dislike how I look in this video because I had just started playing with my lights. However, I bit the bullet and felt like I had to upload this for the sake of education and the desire to move on to more videos that show techniques and help my students/audience. I swear I'm way cuter in person. :3 just wait for my next vid. 

warmly,
Amelia Zheanna H.

Love my videos? Consider supporting me on patreon! We have an extremely active community on Discord! https://www.patreon.com/transvoicelessons
E-mail me for lessons: TransVoiceLessons@gmail.com
transvoicelessons@gmail.com
transvoicelessons.com

Typo Warning: I was informed of a typo at 7:54, this bottom half should say, "LESS SPACE" instead of "MORE SPACE" for female voices. Oops~!

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The Art of Voice Feminization | Part 1: Overview, Acoustic Resonance, and A Conceptual Framework

This is a brand new single from my upcoming album, Astraldove. I felt it would be good to upload to this channel to illustrate what I've managed to do with my singing voice as a transwoman. It took me a long time to feel comfortable with my singing voice but I feel it mostly passes. I still have a long way to go. 

Female operatic tone is easier since opera is about maximizing space and opera singers lower their larynx. However, female pop voice is a bit more challenging since it's AFAB biology also doing smaller positions of the vocal tract. 

DOWNLOAD: astraldove.bandcamp.com/releases
FOLLOW: www.facebook.com/ZheaEroseMusic/
E:MAIL: ZheaEroseMusic@gmail.com

TRACK CREDITS:
Amelia Zheanna Huff: composition, performance, lyrics, mixing, and artwork 

Logan Archer: additional vocal engineering and production

[intro] 
When your lips, press against mine 
The whole world, the whole world stops 

[verse 1] 
Azure winter eve, 
As you're, as you are 
moaning out, crying out, "please babe" 
"i don't lie, i can't find, someone else like you" 
"my mistakes permeate the snow." 
crying no (crying no) 
so you say you, 

[mini chorus] 
wanna make up? show me that you truly mean it 
tell me that you love me, and make me believe it 
you were so safe, love, you were like my campfire 
whatever we had was hotter than a wildfire 

[verse 2] 
Like an azure window pane, 
As you're, as you are 
hurt in pain, crying out, "please babe" 
"i did lie, i can't feign, love ache" 
"Please forgive, please forgive, all the frostbitten words I said." 
like an azure window pane, 

[chorus] 
cause i'm wondering, how you could've hurt me, 
open up the gate, to my heart; and turn the latchkey 
you were so safe, love, you were like my campfire 
whatever we had was hotter than a wildfire 

wanna make up? show me that you truly mean it 
tell me that you love me, and make me believe it 
keep me so safe, love, glowing like my campfire 
whatever we had was hotter than a wildfire 

[break] 
stare into your eyes, on fire 
strings of words, say liar, liar 
tap into my heart, that fire 
reconstruct, what we had prior? 

stare into your eyes, on fire 
strings of words, yes liar, liar 
tap into my heart, that fire 
all my soul, respark our pyre

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My First Official Music Release with New Voice! [Transvoice Singing]

ALYSSA

EMILY

HANNAH

CARISSA

CATHERINE

ASHLEY

DIAZ

CAMILLE

CASSIE

SOPHIE

SARA

Unfortunately I forgot to add frequency lines to the pitch tracking window. The Middle A is 220hz. The Lower D is 147hz. The upper D is 294 hz. This will be fixed for next time! Oh and I mis-spelled femininity. Oops.

The following video is the first of many presenting a collection of female voices. The intent is to educate and empower women everywhere. It's my hope that by developing and cultivating a continually growing public archive of women's voices, voice educators, fellow voice researchers, and women of all types will gain greater insight into the structure, behavior, and beauty of our sisters' voices. 

Some of the audio files have background noise but my intention was to capture women's voices in a natural environment rather than a lab or sterilized setting. All samples were collected by me with the consent to share.

Students of voice feminization often have incorrect assumptions or standards for what it means to have a female voice. Often times people shoot for way too high of a pitch, too breathy of a sound, or too dynamic in pitch contour. These overestimates create a very caricature-like sound. Hopefully these videos will help give transwomen everywhere a cleaner picture of the range of female voices.

There are several amazing pieces of insight to gain from these samples but I will be waiting for a much bigger data set before making a video analyzing and expressing conclusions.

#VoicesOfWomen

Script:
Pig pin, write with the pen [dialect check]
Sleep on the cot, don't get caught [dialect check]
Heat from fire, fire from heat [tense /i/ with schwa and triphthong]

Peat, pit, pet, pat, part, port, pot, pool, pew, put purr, push [vowel gradient]

The quick beige fox jumped in the air over each thin dog. Look out, I should, for he's foiled you again, creating chaos [phonetic pangram].

Face, boy, owl, never [diphthongs]
Ice, buy, goat, tow, dear [diphthongs]
___
Reach out if you would like to study, converse, collaborate, or debate:

Transvoicelessons.com
Transvoicelessons@gmail.com

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Voices of Women: entry no. 1

This is the simplest explanation of the science behind changing the sex perception of our voice. Changing the gender of your voice is not a mystery. It is simply reliant on the amount of space inside your vocal tract length when you speak.

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Sex in Voice Explained Simply

The Wrong Idea About Practice

Practice is Good Whenever

A fundamental flaw many individuals make in the acquisition of any skill is to let the idea of practice stop them from practicing.

Practice is growth! Growth is life. Just live while you practice.

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How to Practice and Master Anything

How to use falsetto

How not to use falsetto

Soft female whisper

Classical female repertoire

Using falsetto for cute laughs

In this video I briefly cover a few voice feminization techniques that utilize the falsetto:

1) Direct speaking for low voices
2) Whispering
3) Singing
4) Squeeking

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The Uses of Falsetto in Voice Feminization

This video discusses the process of transvoice through a more philosophical lens.

TransVoiceLessons.com
or Email me at TransVoiceLessons@gmail.com

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Transvoice 101